Category Archives: Nintendo

The stupidity that is the Nintendo e-shop’s regionalisation

This is a rant about idiocy.

Idiocy from either Nintendo or from THQ Nordic. I’m not sure which company – it could be both of them, to be honest – but it’s idiotic, nonetheless.

Recently, THQ Nordic released the remastered version of its third-person action game Darksiders on the Nintendo Switch: The Darksiders Warmastered Edition. I was interested in buying it as not only was it, in my humble opinion, the best game in the Darksiders series, last week Digital Foundry did a rather nice video covering how the game has both a performance mode (which locks the frame rate at 60FPS but drops the visuals slightly) and a graphics mode (which caps the frame rate at 30FPS but looks prettier).

“That sounds like a bit of me,” I said to myself this week. I hadn’t bought a game for my Nintendo Switch in some time, and I did like the original Darksiders. So, I went looking on the New Zealand e-shop for Darksiders Warmastered edition. Nothing. Nada. Zip. It wasn’t there.

I was confused. The game was released on April 2. Maybe it had just been delayed. So I searched for it again: Nope. It wasn’t there.

So, I asked the helpful Twitters and was told by one of my Australian chums (Dylan Burns) that it was on the Australian e-shop for $49.95 but he would check with one of his Aussie chums (Daniel Vuckovic), who was knowledgeable in all things Nintendo (he runs vooks.net, no less) on what the situation was. It seemed it was a bit of a mystery.

Vooks looked into it and this is what he said (in Twitter form):

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Sure, enough, I clicked on the NZ e-shop link and got this:

I clicked on the Aus e-shop link and got this:

This is just idiotic, Nintendo and THQ Nordic. How does this sort of ridiculous situation come about?

Seriously, though, how does such an idiotic thing happen? How is that Australia is three hours away from New Zealand by plane, yet I can’t download Darksiders Warmastered Edition????  Some states in Australia take longer to fly to than it does to New Zealand, yet they haven’t been penalised.

New Zealand and Australia are lumped into the same region by video game publishers all the time yet here we are with a mind-bogging situation like this where one country is penalised over the other.

Does Nintendo and THQ Nordic think so little of Switch owners in New Zealand that they won’t release the game in our e-shop? Probably, to be honest. I really don’t think either of them give a shit about little ole’ NZ. It’s just a smack in the face for Nintendo Switch owners in New Zealand [NZ doesn’t even have a distributor of Nintendo product: Everything has to come from Australia].

I was quite happy to pony up and pay for Darksiders Warmastered Edition because it looked like a good port, but you know what? I’m not going to now, just out of principle. And not even selling a physical version? It’s as if THQ Nordic don’t actually want people to buy the remastered version of its game on a portable platform, especially in Australasia.

Sure, I could buy it from another e-shop but, frankly, why the hell should I? Why should I give either company my money when they show disregard to the country I live in? [Apparently, the first two Darksiders are free on Xbox Gold, too, so that’s another reason not to spend my money on the Nintendo Switch version.]

So much for living in a connected world where there are no boundaries …

 

Katamari Damacy Re-roll: Craziness ramped up to 11!

Think of the craziest game you’ve every played – then quaduple it: That’s Katamari Damacy Re-roll, the very definition of Japanese crazy ideas at its finest.

The Katamari Damacy series first graced the PS2 waaaaaay back in 2004 and even back then, it was a large scoop of whacky mixed with a side order of “WTF?” While the game spawned a few sequels over the years, it’s now available on Nintendo’s Switch console – and it’s a perfect fit for the device.

The story is simple enough: A tiny prince must rebuilt the stars, constellations and moons that his wayward King father, The King of All Cosmos, destroyed when he decided to go on a drinking binge. Crazy, right?

To make his father happy, the prince is tasked with rolling a small, adhesive ball – called a katamari – around locations on Earth, collecting pretty much as much as he can  – people, animals, pins, balls, dominoes, playing cards, people, even mountains – until the ball is big enough to become a new star in the sky.

The story is as bizzare as the game play, with the prince having to rotate and guide the katamari around earthly locations, slowly growing bigger and bigger until the King of All Cosmos deems it big enough to become a star.

Adding to the pressure of creating more stars is the fact the tiny prince is often under a time limit to reach a certain size katamari ie 10cm, 15cm, meaning the prince will have to often sprint around the location, adhering more and more objects to said katamari. You have to be careful, though, as banging into some items will knock objects off the katamari, reducing its size. Yes, it’s as off-the-wall as it sounds.

Katamari Damacy Re-roll is a perfect fit for the Nintendo Switch, as each location is perfect for bite-sized gaming sessions if you only have a few minutes to play. Visually, it looks nice, with a colour palette of bright colours and a graphical style that is as far from realistic as you can imagine.

The controls worked well enough, although it took a while to get used to flicking the analogue sticks in the right direction to give a speed boost to the katamari, something that is vital to master and is crucial in helping pick up objects faster when you’re against the clock!

The music is catchy enough, with a kind of bouncy note to it, and an at times bombastic theme tune, but the voice of the King will get on your nerves after a while. That said, it’s in keeping with the game’s off-the-wall aspect and you can always do what I did: Turn the volume down a little.

Overally, Katamari Damacy Re-roll is perfect for the Nintendo Switch, especially if you’re after something that definitely doesn’t take itself seriously and is something so mind-bendingly weird that you can’t help but smile, something especially apt during what is now commonly called the Silly Season.

A big thank you to Bandai Namco’s Australia PR man for providing a review code for Katamari Damacy Re-roll.

Figment review: Battling the thoughts in your head

Figment, a puzzle/platformer for Finish indie developer Bedtime Digital Games for the Nintendo Switch, reminds me a lot of a children’s story book, with its whimsical artwork and fairy tale locations, except it’s set within the human mind with all sorts of weird shit going on.

Seriously, though, for most of the game the environments are like something you’d find in Alice in Wonderland, with teapots for houses, flowers made out of stringed instruments and white fluffy clouds providing a peaceful backdrop, things are more sinister than they seem at first in this fairy tale land, populated with memories, thoughts and urges and home to the voices in our head.

When Dusty (the game opens with him relaxing in a rocking chair, dreaming of ice for his drink) finds the nasty figments of the imagination have invaded the world, causing chaos, he must save the day. Accompanied by ever-optimistic bird Piper, Dusty must battle his way through a variety of dangers to, well, save the day.

The sumptuous visuals are the first thing that will attract your attention with Figment: They’re said by the developers to be hand-drawn, and by golly, does it look gorgeous, with an art style that belies the undertones of what Bedtime has called a “musical action adventure”.

The second thing that you’ll be captivated with is the wonderful voice acting which at times is delightfully over-the-top, and the musical score: Both are just delightful, with the score supposedly “defined by your exploration of the world”, which means that it adapts to how you react with the world: Move closer to the cello-like flowers and the strings sing, wander closer to a tuba-looking tree and the music takes a more brass band-like tone. It’s delightful and really adds a nice personal touch to the game.

The puzzles won’t cause you to have a brain haemorrhage, ranging from things like tracking down the handle that will turn the windmill that will blow away the nasty black fog and finding the right colour battery that will power the windmill to finding the missing pieces of a brass band bridge that will let you cross to another part of the world. Combat generally involves Dusty whacking unspeakable horrors with his sword or knocking back projectiles from said unspeakable horrors.

Figment is a delight to play, both visually and the way that the sound reacts to the player’s movement through the game world, and it’s further proof that games from small independent developers are a perfect fit for Nintendo’s console.

Remember how I commented last week on the great year that Nintendo was having?  Well, Figment is further proof of that.

Thanks to Bedtime for providing a digital code for Figment

Bite-sized review: Little Nightmares Complete Edition (Nintendo Switch)

Little Nightmares Compete Edition (Version reviewed: Nintendo Switch, review code kindly  provided by Bandai Namco)

What is it? Little Nightmares Complete is a side-scrolling  horror/puzzle game from indie game developer Tarsier Studios that tells the tale of a mysterious girl called Six who must negotiate a vessel called the Maw through three story chapters: The Depths, The Hideaway and The Residence. This complete edition also includes  all the DLC that was released for the game, including the story of The Kid (a second playable character) and the Secret of the Maw expansion storyline. Little Nightmares can best be compared to games like Limbo or Inside as all three games have a creepy, unsettling undertone to them that might just well have you having nightmares yourself.

The Janitor in search mode. Time for Six to hide.

So, it’s a horror. Is it scary? Well, it’s not blood and guts scary, but it’s more creepy, uncomfortable scary, with nightmarish creatures inhabiting the Maw, doing unspeakable things. The game succeeds in creating a tense atmosphere that’s unsettling at times. Making things more uncomfortable are the Maw’s creepy residents, which often force Six (and The Kid) into a game of hide and seek as they skulk around quietly, careful not to draw the attention of the grotesque beasts such as The Janitor, who has incredibly long arms and bandages wrapped around his eyes, or The Lady, the proprietor of The Maw who just seems a little … not quite right.

This is Six exploring The Maw. Quite unsettling, isn’t it?

Is there anything else I need to know about? Little Nightmare’s does a great job of creating tension and has a great visual style, which is really suited to the Switch but the experience is marred a little by the long loading times after you die, and you will die a lot, thanks to at-times-clumsy controls and at times hard-to-judge jump puzzles. The game is also quite dark visually when played in portable mode but holds up well when played in docked mode. Both run at 720p, 30 frames a second.

So, what did you think overall? Tarsier Studios does an excellent job in creating a macabre and creepy narrative with a nice twist in that one of the lead characters turns out to be more than she initially appears. If you’re a fan of games that create creepy tension in unsettling environments, then Little Nightmares is worth a look but just be prepared for some frustrating jump puzzles and long load times between deaths.

Thanks to Bandai Namco for the review code

 

Nintendo launching new adjustable stand for the Switch

I love my Nintendo Switch: Until God of War came along it was my go-to gaming console when I wanted to relax with some digital delights.

I have to admit, however, I’ve been frustrated sometimes with the tiny kickstand that props the Switch up when you want to do some tabletop-gaming: It’s never seemed that stable to me (although, I’ve never had any catastrophes of the Switch tipping over type with it).

If only there was a stand of some sort of stand for the Switch that lets you tilt the viewing angle while using the console in tabletop-mode while at the same time letting you charge it.  Well, it’s as if Nintendo has listened to me, because  it’s launching a new adjustable charging stand on July 13. 

Priced at $AU29.95 (so I’m expecting about $NZ40), the adjustable stand has a port for an AC adapter on the side, letting you charge and play at the same time.

Nintendo says that the angle of the stand can also be adjusted to create the best viewing angle.

Nice one, Nintendo.

Nintendo Switch reaches 10 million sales in nine months & Shu coming to Switch, too

I’m putting this out here right now: The Nintendo Switch is my console of the year, despite being woefully under-powered when compared to the PlayStation 4 and Xbox One (and their Pro and X variants).

With games like Super Mario Odyssey, Death Squared, Doom and Thimbleweed Park on Nintendo’s hybrid console, it really has been one of my gaming highlights of the year. So it’s no surprise to me (or anyone, possibly) that Nintendo has told 10 million Switch consoles in just nine months (the console launched in March this year). The console is a sure-fire success, pure and simple.

Congratulations, Nintendo: You’ve knocked it out of the park with this one!

Sticking with the Switch for a little bit longer, British developer Coatsink (which I have covered here before) is bringing its platformer Shu to the Switch in January, 2018.

Here’s a little about the game: Set across 6 different worlds, Shu combines gorgeous hand-drawn characters and fast-paced action as Shu and companions battle to save their friends from the mysterious and unrelenting storm. Can you outrun the end of the world?

Featuring an original soundtrack, 10 recruitable characters and a plethora of secrets to discover, the Nintendo Switch version of Shu will also include the Caverns of The Nightjars add-on content.

Shu will costs around $NZ15, if my calculations are correct.

 

 

Super Mario Odyssey: Super fun times with Mario

Super Mario Odyssey is the best fun I’ve had playing a video game in a long, long, long time.

In fact, I’ve had so much fun with it could well be my game of the year <thinks about that for a minute>

Yep, Super Mario Odyssey is my game of the yea. Tough luck other games from 2017: You were beaten [soundly, in my opinion] by Nintendo’s long-standing mustachioed plumber Mario who stars in a game that is unashamedly cartoony and dripping in fun.

The Odyssey – from the title Super Mario Odyssey – is the name of the vessel that Mario uses to fly around a planet in search of that dastardly Bowser who has, yet again, kidnapped Princess Peach and intends to marry her. Trouble is, the Odyssey needs moons – which are found hidden around various kingdom – to power its engines so it’s up to Mario to chase Bowser, from kingdom to kingdom, uncovering moons (crescent moon shaped, really)  that can lead him closer to Princess Peach.

“What’s so fun about that?”, I hear you ask (you probably didn’t but it adds effect to my narrative). Well, the fun part comes from the opening kingdom when Mario is introduced to Cappy, as his name suggested a talking hat that at the flick of the right JoyCon allows Mario to possess just about every living thing in the game world: Goombas, Koopa Troopas, Cheep Cheeps, Piranha Plants, Bullet Bills … the list goes on. Imagine the possibilities of that: It means that Mario can navigate the kingdoms so much easier now, using the skills of the relevant world to collect moons and move to the next kingdom. It’s rather satisfying possessing a chain chomp then using it to defeat one of the Broodals that is using it against Mario!

Mario can use Cappy to give him boosted jumps and collect coins dotted about each kingdom, which can then be used to buy anything from health hearts and moons to new outfits and stickers (and not a loot box in sight!!)

Mario starts each kingdom with three hearts in his life bar and there is effectively  no Game Over with this game as when the three hearts are depleted, Mario loses 10 coins (which are used as in-game currency) every time he dies. Keep collecting coins (and they are plentiful) and all is sweet.

Each kingdom is themed very differently from the last: One takes place in a world covered in sand, another takes place in a wooded world, one takes place in a land made up of vegetables and pink boiling lava. New Donk City in the Metro Kingdom is clearly based on New York City and probably my favourite kingdom.

Each kingdom has a show down with one of Bowsers crew – the Broodals  – (hired as his wedding planners) but what I liked about these mini-boss battles is that a) they aren’t difficult and b) they’re generally a three-stage pattern. Even an old man like me had no trouble defeating them. Once you’ve defeated the boss, you can explore the kingdom collecting as many moons as you can find before heading back to the Odyssey to fly off to the next kingdom. There’s one particular boss in the water kingdom that had to be defeated by Mario possessing an octopus that squirts water and uses it to propel itself upwards and forwards. Craziness!

Another really, really nice touch – and a throwback to Mario’s earlier appearances – are the green pipes that we’re all familiar with that transport Mario into an 8-bit, side-scrolling world. It’s so well done that it made me smile.

Until Super Mario Odyssey came along, I’d never really been that taken with a Mario game. Sure, I’d played them but none of them captured my attention like Super Mario Odyssey has. I think the possession ability has had something to do with that – and the fact that the game is just so much darn fun (it also has a really neat photo capture mode). It looks fantastic, too, especially given that the Nintendo is incredibly under-powered when put alongside the consoles from Microsoft and PlayStation.

I’ve pretty much played Super Mario Odyssey every night since I got it and I’ve loved just about every joyous minute of it (it’s not perfect: the camera isn’t the best at times, and can make jumps onto moving platforms difficult at times) .

For me, Super Mario Odyssey is my game of the year already, and frankly, it just cements another reason to own a Nintendo Switch.

A big thanks to Nintendo Australia for providing the review copy of Super Mario Odyssey. Cheers, guys.

 

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