Looks like things are on the up and up for the New Zealand video games development industry, with the sector earning $203.4 million dollars during the 2019 financial year – double the $99.9m earned only two years earlier in 2017.
The figures come from the annual NZ Game Developers Industry Survey conducted by independent researcher Tim Thorpe and is for the financial year ending 31 March 2019. It canvassed 39 interactive, gaming, virtual reality, augmented reality and edTech companies. The 10 largest studios earned 93% of the industry revenue, employed 77% of the workforce and are now 10 years old on average.
New Zealand Game Developers Association Chairperson Cassandra Gray says the results are the “fruits of the last generation of New Zealand interactive studios’ hard work”.
“Our opportunity is to support the next generation of creative tech companies to join them,” she says.
Fifty nine per cent of studios expect significant growth (greater than 10%) in the coming year. In the last year, eight New Zealand-made apps debuted the new Apple Arcade service, NinjaKiwi’s Bloons TD6 topped Apple’s paid games charts, Grinding Gear Games’ Path of Exile was one of the top ten played PC games in the world, RocketWerkz opened a second studio in Auckland, and Valleys Between by Little Lost Fox won the Best Feel Good Game at the International Mobile Gaming Awards.
The companies involved in the survey employ 683 creative and hi-tech workers, an increase of 133 new jobs this year. A Creative NZ and NZ On Air study, A Profile of Creative Professionals 2019, found that game development was one of the best paid creative occupations in the country and 31% of the roles in the industry are programmers, 29% are artists, 24% for game designers or producers, 12% for management or marketing.
Nearly half of the studios (47%) said that skills shortages were limiting the growth of their business – and this had intensified since last year. Gender diversity remains a concern for the sector, with 21% of employees identifying as female or non-binary, and attracting early stage development funding and attracting investment for expansion continue to be the biggest growth challenges to the industry.
The educational benefits of simulations and interactive training continues to be recognised, with 24% of New Zealand interactive studios having made games or apps for businesses clients or government departments and 20% have made games for educational institutions.
The surveyed developers make interactive media for a range of devices and global markets, with 63% making mobile apps, 53% producing PC games, 38% concentrating on console games, 22% making augmented reality apps and 19% making virtual reality games.
When I used to write full-time for a living (a few years ago now), I had a wee bit to do with several NZ game developers and was impressed with what I saw, especially from studios like Flightless, based in Mt Maunganui (RTS game Element, Doomsday Vault & Bee Leader) and Sidhe (now called Pik Pok), and I had a tour of the Grinding Gears studio a few years back. Here’s to a strong future to all Kiwi game developers.