When I wrote for a metropolitan newspaper, I did the obligatory “Games of the Year” write-up, which culminated in my best pick as Game of the Year.
I’m not going to do that anymore. I’m not going to decide from the games I’ve played this year (which hasn’t been as many in past years) which one is the best of the lot. What I’m going to do is tell you which games were my highlight of the year, in no particular order.
Let’s start, shall we?
The cast of Until Dawn: They quite like what I’ve written about the game they star in, too.
Until Dawn: Something of a surprise hit to everyone, which is even more surprising as I can’t recall it getting a lot of marketing love from PlayStaiton. It’s also a game that I didn’t actually play until after watching a YouTube walkthrough. Yep, that’s right: I played it after watching a video playthrough. I’m not the world’s biggest fan of horror games and Until Dawn is a horror game, through and through, so I wanted to see how scary it was going to be. It has jump scares but it’s almost like a pick-your-own adventure where you determine the path that the characters take then they do it. Yes, it’s cliche-ridden and holds your hand at times but it’s horror done right.
Batman Arkham Knight: Probably one of the only AA titles that I really, really enjoyed this year. I’ve always liked Rocksteady’s take on Batman and Arkham Knight was no different, even if the Batmobile might have been overused too much and there were too many of those damn tank battles (those who have played it will know what I mean). What I’ve always liked about Rocksteady’s Batman series is the grittiness and the ever presence darkness that Batman is all about. Arkham Knight might not be the best in the trilogy but it’s damn good. [I’m sure someone will exclaim “But you can’t say Arkham Knight was a good game because it was broken on PC!”. Actually, I can say it was a good game because a) I played it on PS4 and had no problems and b) it’s my list and I can have whatever games on it I like.]
Life is Strange: Dontnod’s episodic coming of age story about Arcadia Bay teenager Max Caulfield (with a little bit of super powers thrown in) was a bit of a slow burner for me. I played the first episode months ago, and liked it, but it didn’t capture me right away. May it was the at times cringe-worthy dialogue, but I could see it had promise and Max’s ability to rewind time to change events held all sorts of interesting propositions. For some reason or another, I didn’t start playing the second episode until few weeks ago. I finished it a couple of nights ago and I’m interested again. It was if the writers stepped things up a notch at episode two and it’s not captured my attention. Hopefully, I’ll finish the other episodes before the end of the year.
Everybody’s Going to the Rapture: Yes, The Chinese Room’s latest game could be described as a walking simulator because that’s what you do most of the time but I loved it for the story that it told and the emotional narrative. Set in a quaint English village after an apocalyptic event, the player has to unravel and piece together what has happened to the villagers by tracing the paths left by, I guess, their spirits that are still around the village. The story telling and emotional voice acting is what gripped me from start to finish. I didn’t care that it was slow-paced and measured. It was quite nice not having to shoot anything, either.
Rise of the Tomb Raider: The latest game featuring long-time video game adventurer Lara Croft is perhaps one of the best as she once again tries to find a precious artifact that will destroy the world if it falls into the wrong hands. While being an Xbox One exclusive for the time being may harm the sales of the game, Rise of the Tomb Raider is better than Crystal Dynamic’s Tomb Raider reboot because, pure and simple, it features more tombs to explore, and that, for the most part, is why people started playing Tomb Raider games. Rise is a return to form for the series.
What are your favourites for the year?